Moving music

…or “GoodbyePod”?

I read this Pitchfork article today, all about the excitement of owning a Discman back in the 1990s. And they’re right – it really was something special. Compared to its predecessor, the Walkman, it was a massive step forward. Bigger and more ungainly, yes, but then it had to be because compact discs aren’t very… well… compact. But it was worth it for the ability to skip tracks without the guesswork of holding down the fast forward key for twenty or thirty seconds, like you’d have to do with a tape.

Aside from the size (and consequently, the weight as well), there were other drawbacks. The motor would use up the three or four AA batteries in a disturbingly short time and if you bumped, knocked it, the sound would skip would skip skip. But these things were worth the hassle for the sheer joy of digital music pumping into your head.

Of course, I couldn’t afford a Sony Discman. Not the official one. It didn’t bother me too much though because I’d never been able to afford the official Sony Walkman either.

“You’re only paying for the name,” I would argue. And although the sound quality on the real thing was surely far better than on my no-name-brand equivalent, the £1.99 headphones I was probably using would have been a great leveller, anyway.

I enjoyed tolerated my faux-Discman for a couple of years before I moved on to a Minidisc player (a top of the range Panasonic, no less). This was a step forward, but was also a bit of a pain because you couldn’t buy pre-recorded Minidiscs, so I had to buy them blank and copy my CDs across to them. But there were so many advantages: the size was the big one – this would literally fit into your pocket – as would the spare discs. The battery life was better (and it only took one battery), and it was much better at handling bumps without interrupting the music. Best of all though, you could add track names to the music and they would scroll across the screen while the song played.

This then was the future.

And then along came the mp3. I had a couple of small mp3 players before I got my first iPod in 2005. There wasn’t much difference in size beween my sexy Panasonic and my (white) second generation iPod, and while the battery life was a massive improvement, I’d never struggled with that on my Minidisc player anyway, so that didn’t make much difference either.
But while I could have 15 tracks on any given Minidisc, my iPod could hold 1500 or more. Amazing – sure – but I never did manage to listen to them all in one day.

Fast forward (no pun intended) to the present day, and I’m ready to move on again. My current iPod is full and while (as with many Apple things) it is a design classic, it also (as with many Apple things) isn’t the most user-friendly device. Add the disaster that is iTunes to the mix, and I’m actually done with Steve’s nonsense now. It’s time for another change – and I haven’t made that decision lightly, given that I like to listen to a lot of music while I’m on the go. This must work.

The choice, were I living in the UK (for example), would be clear: streaming. And yes, I do have some streaming service accounts and they work quite nicely, just as long as I am sitting next to a big wifi, as you might often find yourself doing overseas. But data in SA is ridiculously expensive and limiting, and instantly destroys any idea of wandering around listening to music over the net. And so while I like to have these things as a back up, the more obvious answer for me is a 128GB micro SD card in my phone: instant access, effortless movement and choice of tracks, virtually zero battery usage and all on something which I was inevitably carrying on my person anyway.

Apparently there’s not much of a market for single-purpose music players anymore. But I suspect that’s partly a matter of amnesia. We didn’t know it in 1998, but we were lucky that our portable listening devices did not badger us with news alerts and text messages. If they had, the euphoria of the Walkman experience would not have been so pure.

OK, so that is one drawback, and it’s true that pretty much nothing would interrupt my Discman experience back in the day (even though I had a mobile phone back then), but times have changed and if I’m honest, I quite like to have the option to keep in touch – just as long as I can choose to switch it off for the duration of any given album.

I’m open to other suggestions if you have any. I need space for about 12,000 tracks (because you never know when you’re going to need to hear Babylon Zoo’s Spaceman or White Town’s Your Woman) and I’m not willing to go back to CDs. (Oh, and I need a solution for my Windows PC as well, please.)

Free Music

Regular readers may recall a post towards the end of last year celebrating the news of a new Apparatjik album to be released early in 2012.

The good news is that the latest versions (draft 6) of the album tracks are now available for listenage and downloading on Facebook. It’s still got that 80’s electronica feel, with a touch of house and a hint of Röyksopp. And yes – you can hear the influence of Guy from Coldplay and and Jonas from Mew. Less so Magne, but it’s still great listening.

If you only have time for one song, I’d recommend Aretïve (the piano remix of Sequential) for those who want to get a quick feel (ooer!) of the sound.

But – these “auditory documentings” aren’t going to be around forever – get there now, download and enjoy.

You’re welcome.

Missing “home”…

If there is one thing I miss about living in the UK more than any other, it is the music. While SA has it’s fair share of decent bands and artists (and I’ve mentioned them more than once or twice on here), the music scene just doesn’t compare to the UK. I love to find new bands by chance and then follow them up and listen to see if what I heard was a one off or a representative sample of their work. I can’t do that here.

Feeling particularly musically needy today, I did a bit of an update on a few of my favourite bands. This evening, having got my free download of The Escapist by The Streets, I flicked onto the Radio One homepage and took the opportunity to listen live to Zane Lowe‘s show for a short while. Not because I’m a huge fan of Zane Lowe, but because that was who was on when I was listening so it would have been difficult to listen live to anyone else. He was playing a song called CCTV by The Last Republic. A song which sums up exactly what I mean when I say that I’m missing out. Awesome stuff.

You won’t find TLR on iTunes. However, having looked them up on MySpace – and in one of those ironic moments that show that if there is a higher power, then he’s busy sticking his middle finger up at me – if you’re in Cardiff this evening, you will find them at Cardiff Barfly, supporting Saffa band, The Parlotones.

The only other bit of UK/SA news today was England winning the fourth test at The Oval. Have you noticed that I only mention the cricket when England win? This has had the effect of passively convincing all my american readers that England are the best cricket team in the world.

Which they are, obviously.