Adulation continues…

I said it here.

And other people shared it here.

And now, just not quite a week later, it’s still happening. 😮


Isn’t he, though? Also:


Ag, I don’t know about “melting the internet”. That sounds a bit like when the internet “destroyed Donald Trump” (Spoiler: it didn’t).

But it’s great that the band are getting some more airtime. And it’s nice that people are enjoying the stuff that I enjoy. Some sort of affirmation that I’m vaguely relevant, I guess.

Meh. I’ll take it.


I’ve noticed that several friends on Facebook are – independently of any input from me – beginning to share this post around, and the comments have been unerringly positive.

It was just last week that I was waxing lyrical about the new a-ha MTV Unplugged album, and this is the final song from it. As you might expect, the band finish all their concerts with this song.

Introduced as:

This is a rather different version of this song…
But you’ll still recognise it.

After a distinctly Karma Police first few bars, as you might expect, Morten simply nails the vocal over a beautifully different instrumental.
If you haven’t already heard it – this is your chance. 🙂

It makes me happy to learn that it’s not just me doing fanboy stuff. When a new version of a song from more than 30 years ago, sung by the same guys that did it back then, can still affect people this way – it has to be special.

UPDATE: lol.




See? 🙂

Morten in your front room

Or anywhere else, actually!

Remember the groundbreaking video for a-ha’s Take On Me? Of course you do – it was groundbreaking – the best video of the 1980s. Way up there in the Top Ten best music videos ever. Really good and groundbreaking.

Now, Augmented Reality buffs at Trixi Studios have made that very same video come alive in someone’s living room:

Look how real life dives in and out of pencil-sketched life. Just like in the original video. They’ve even managed to get those nasty thugs with their pipe wrenches into the mix.

AR has many wonderful applications, but putting us into our favourite popular music videos was one that I hadn’t really considered until now.

Take On Me

Ag, you must know what’s coming. Yes, it’s ANOTHER cover version of a-ha’s biggest hit* Take On Me, this time by Brooklyn Duo and Ensemble Connect.

You’ll note a violin, a viola, two cellos, a double bass, a piano (big black thing at the back), a trombone, a bassoon and a very enthusiastic clarinet.


Lovely version, and a hat-tip to whoever tied in Magne’s keyboard solo to  Nikolai Rimsky-Korsakov’s 1899 Flight of the Bumble Beagle.

I have now heard 261 cover versions of this song, but this one is a real original, and must rate somewhere in the top 10.

* terms and conditions apply

1 hit wonders?

Here’s a Facebook ad for an upcoming show at the musical theatre beyond the Boerewors Gordyn.

Fullscreen capture 2016-07-26 103452 AM.bmp

Let me help you out with the (not so) small print:

Get ready to party to the ultimate 1 Hit Wonders!

Sounds good.

Enjoy songs like Do You Love Me, Play That Funky Music, Kung Fu Fighting, You Spin Me Round, Take On Me, 99 Red Balloons & more

u wot m8?

Remember those songs? Of course you do. The Contours, Wild Cherry, Carl Douglas, Dead or Alive. They gave us such memories, and then they disappeared without trace. Likewise Nena and her red balloons (if you ignore her MASSIVE success in Germany) (which they clearly have).

Hast du etwas Zeit für mich?
Dann singe ich ein Lied für dich
Von neunundneunzig Luftballons
Auf ihrem Weg zum Horizont.


But “Take On Me”? No. Just no. That wasn’t a “1 Hit Wonder’.

And I’m not even annoyed because I’m an a-ha fan. I’m annoyed because it’s plainly incorrect. How can a song which wasn’t even their biggest hit be a “1 Hit Wonder”?

Let’s compare: Carl Douglas hit the top of the charts with Kung Fu Fighting back in 1974. He was NEVER heard of EVER. AGAIN. He disappeared as fast as lightning. In fact, the way he vanished was actually a little bit frightening.

But I digress. Often.

Now, I’ve nothing against Carl. His name will live on in the Hall of Fame through cheesy discos and pub quizzes forever more. And fair play to him. But…

Let’s have a look at a-ha: Take On Me was a number 2 hit for them in October 1985.
Just two months later, they released The Sun Always Shines On TV.
It went to number 1, clearly making it a bigger hit than Take On Me.
But whether it was bigger or not is actually beside the point. It was also a hit. A second hit.
This ridiculous success immediately ruined a-ha’s “1 Hit Wonder” status, a status which had only lasted for about 60 days. The further 7 Top 10 hits which they then went on to have over the next 30-odd years also kind of cemented their reputation as clearly not being 1 Hit Wonders. For me, at least. And everyone else with any sort of rudimentary intelligence.

And yet they’ve been dumped in with Wild Cherry and The Contours.


Look, I’ve been to a show there before and it was slick, professional and fun. I’m sure that this one will be as well. But underlying the whole production is the sickening inaccuracy I have described above. If you’re going along, I suggest that you try to overlook the invalid and plainly false information on which the entire show is based.

Because any other approach would surely ruin your experience.