Busy day. Done lots. Achieved lots. But now tired, and leg hurts.
Stitches out tomorrow.
So, here’s a monochromatic acoustic lyric video from a-ha:
So much moss…
Because when life is just a bit of a struggle, it’s important to retreat to one’s happy place.
Smoky black and white images of Norwegian boathouses, coupled with that voice, seems to be mine.
I said it here.
And other people shared it here.
And now, just not quite a week later, it’s still happening. 😮
Isn’t he, though? Also:
Ag, I don’t know about “melting the internet”. That sounds a bit like when the internet “destroyed Donald Trump” (Spoiler: it didn’t).
But it’s great that the band are getting some more airtime. And it’s nice that people are enjoying the stuff that I enjoy. Some sort of affirmation that I’m vaguely relevant, I guess.
Meh. I’ll take it.
I’ve noticed that several friends on Facebook are – independently of any input from me – beginning to share this post around, and the comments have been unerringly positive.
It was just last week that I was waxing lyrical about the new a-ha MTV Unplugged album, and this is the final song from it. As you might expect, the band finish all their concerts with this song.
This is a rather different version of this song…
But you’ll still recognise it.
After a distinctly Karma Police first few bars, as you might expect, Morten simply nails the vocal over a beautifully different instrumental.
If you haven’t already heard it – this is your chance. 🙂
It makes me happy to learn that it’s not just me doing fanboy stuff. When a new version of a song from more than 30 years ago, sung by the same guys that did it back then, can still affect people this way – it has to be special.
Or anywhere else, actually!
Remember the groundbreaking video for a-ha’s Take On Me? Of course you do – it was groundbreaking – the best video of the 1980s. Way up there in the Top Ten best music videos ever. Really good and groundbreaking.
Now, Augmented Reality buffs at Trixi Studios have made that very same video come alive in someone’s living room:
Look how real life dives in and out of pencil-sketched life. Just like in the original video. They’ve even managed to get those nasty thugs with their pipe wrenches into the mix.
AR has many wonderful applications, but putting us into our favourite popular music videos was one that I hadn’t really considered until now.
Ag, you must know what’s coming. Yes, it’s ANOTHER cover version of a-ha’s biggest hit* Take On Me, this time by Brooklyn Duo and Ensemble Connect.
You’ll note a violin, a viola, two cellos, a double bass, a piano (big black thing at the back), a trombone, a bassoon and a very enthusiastic clarinet.
Lovely version, and a hat-tip to whoever tied in Magne’s keyboard solo to Nikolai Rimsky-Korsakov’s 1899 Flight of the Bumble Beagle.
I have now heard 261 cover versions of this song, but this one is a real original, and must rate somewhere in the top 10.
* terms and conditions apply