If I take photos of local mountains and stuff, a lot of the time, they are actually landsCapes, because of where I live: Cape Town. So, landsCapes… Capes.
Fortuitously, that’s not what this post is about. This post is about the recently announced Landscape Photographer of the Year 2017 awards in the UK, “showcasing Britain’s eclectic landscapes”, and being reported about in The Guardian.
Now obviously, all the images that they’ve given us in the article are really good, they’re unlikely to lob an Owen Crompton in there or anything, so having looked at the brief, I’ve chosen a couple of my favourites which fit it nicely to share here. Click through on the link above if you want to see the rest. It’s not rocket science, folks.
First up, George Robertson’s The Cauldron, the industrial landscape of Grangemouth in Stirlingshire. It won the “Urban” category:
And then, about 150km south of there, across the border into civilisation (although you might not think it by comparing the images), Ken Rennie’s The Raven. (That being the name of the boat in the photograph.)
Quite glorious, both. And a reminder that while South Africa and other countries may have the natural features, the outstanding beauty and the drama on an altogether more impressive scale, the UK can still have its moments.
This is properly interesting.
The idea that a photograph is shaped by who is behind the lens, rather than just who is in front of it.
No spoilers here, but the comment from the guy at 2:30 is amazing.
Great ad. Very clever. Made me want to go and take a photo.
Except the Missus has got my camera.
Trees in Wynberg Park on the weekend.
Maybe it’s always been a Cape Town/South African thing, but I’ve suddenly noticed that the daytime light this winter is horrible for taking photos in. Low, vivid (but not in a good way); harsh and devoid of warmth. It could just be that we’re having a very Joburg-esque winter this year: bright and cold. Or maybe it’s just that I’m taking more photos – and from a different perspective.
Either way, I’m struggling. Bring on summer.
Determined not to leave it as long as last time – however long that was – I fired up the Adobe Lightroom editing whatchamacallit and looked through the photos that had been taken this weekend. Not all mine, I hasten to add. The Boy Wonder had his clicking fingers out and was snapping away and even Mrs 6000 got involved on occasion.
And that editing? Accompanied by a bubble or two of Oude Meester VSOB and the new Radiohead offering*. Magical.
But still, only about a 15% (if that) success rate on the photos.
But that does mean that they are (mostly) the best 15% (yes, that’s how bad I am/we are). So you should go and enjoy them here.
You’ll find a huge leaning towards photos taken with the Mavic. And some repeats of photos previously taken with the Mavic. No apologies here, sweetcakes. I’m still blown away by what this little machine can do, each and every time I fly it. And I’m still learning how to get the best out of the camera (and the editing software, for that matter). Practice makes perfect.
Bear with me, and just know that I’m having so. much. fun. on the journey.
* Start at No Surprises and play through to the end of the new stuff. Arguably the best 14 track run in… forever.
I’m lucky enough to be heading out of town again this weekend. That’s nice for me, but not so great for you guys, as I’m going to have to rely on pre-written nonsense on here instead of the usual fresh nonsense that you’ve come to know
I’d imagine that you’ll want to share in my travels (because I’m going somewhere particularly cool), so I’ll be sticking some photos up on Flickr when I get back.
However, in the meantime, your best bet (assuming I can find a wifi where I’m going) is probably to follow me on Instagram, here:
So you can see what I see.