Photography homework this week for the boy was to use a freeware manual panorama maker (Hugin) to manually make a panorama.
I like the approach of the photography teacher: they have lessons on hardware and software, then they get to go away and try what they have learned. But not everyone wants to (or can afford to) go down the route of paid-for editing software, and so they are learning how to use freeware like GIMP and… well… Hugin.
They also have critique sessions, where they can – as a group – praise others’ work and suggest ways to improve. It’s a great way to work and they’re a very positive, enthusiastic group.
Hugin is free, and it does what it says it will, but it is cumbersome and time-consuming. Simply as a comparison, we took the same photos, fed them into Lightroom and pressed the magic Panorama button.
Here’s the result:
You can have a look at the full 63MP version here.
This isn’t perfect, but given that it was a last minute dot com effort from a bridge near his school, with the light fading and after he had been hiking all day in a Scouting competition, I think it’s pretty good.
The Hugin version was not as good and took longer to make, but as I mentioned, it was free.
And while we’re on about photography, I found myself waiting outside a coffee shop this morning, waiting for it to open. Wandering into the park opposite, I was kicking myself for not bringing my camera along: the mist was subduing all of the colours aside from the bright yellows and oranges of the American Sweetgums. Fortunately, I had my phone, but this quite nice image could have been really nice.
Always have your camera with you.
That’s something else they should be teaching the kids.
Here we go. It’s excuse time. Or, if you prefer, “valid reason time”.
The photos I took on the hike aren’t as good as I would like them to be. There are several reasons for this.
Me: I’m not a great ‘togger.
The new camera: Yes, it’s fancier than the old one, but I’m still getting used to it.
The light: Blindingly bright, start to finish.
The timing: This wasn’t a photography session, it was a hike. People weren’t there for me to take photos, they were there to walk up the mountain. There was (understandably) no time to stop and compose.
The brief: That said, I did have to try and get some usable photos of the pack walking up the mountain.
The brief (pt 2): I also needed to get some point-and-shoot shots to show Mrs 6000 where we were and where we went.
Those will do for the moment, right?
All said and done, there are a few shots I like (and a few more that I might add later), and that’s without including the ones documenting the climb for the Cub pack.
I really enjoyed the hike, but there will be better days to go out and take photos. And one those days, the photos will naturally also be better.
…(finally) some photos from the last week or so.
And when they were lined up, I couldn’t help but noticed the sharp juxtaposition between the photos taken in Cape Agulhas last week, and those taken on Table Mountain just a couple of days later (not least the ‘grass-in-the-bottom-left-hand-corner’ pics, top left and fourth middle):
Check out the washed-out, near-monochrome top four, compared with the bright, heavily contrasted, colourful selection below them. But that wasn’t merely my photographer’s eye: it’s a genuine representation of what was there.
Cape Agulhas was sunny, full of vivid blues, greens and whites, busy skies and reflective seas. Table Mountain was the complete opposite: greyscale, dull, grim and sullen. ‘Togging the Victorian infrastructure of the dams on the mountain top was easy in those conditions: the dour, powerful, solidity fitted perfectly with the elemental, moody, unforgiving weather.
I enjoyed the fresh air and the walking on each of the days we were out and about, but it’s interesting to note that I probably wouldn’t have taken any photographs at all had the weather conditions been reversed for the two locations. It just wouldn’t have made sense.
Good job I was there on the right days, then.
“You’ve Never Seen Waves Like This Before” proclaimed the title of the WIRED article.
And it goes on to detail some of the photography of Rachael Talibart, who:
…remains both frightened and fascinated by the sea, a tension she explores in her new series, Sirens, which was recently shortlisted for a Sony World Photography Award and will go on exhibition at the Sohn Fine Art Gallery in Lenox, Massachusetts in September.
Here are a couple of examples.
Wonderful. So much power and energy.
Thanks to an extra high tide, a strong wind, and a sun that kept breaking through the clouds, the waves were large and crashing—and perfectly lit. Lying on her back, her feet to the ocean, Talibart used telescopic lenses and an ultra-fast 1,000 frames/second shutter speed to capture the towers and troughs of foam-flecked seawater.
Umm. An “ultra-fast 1,000 frames/second shutter speed”?
So, a 1/1000 exposure then? Woo! Speedy! [/sarcasm]
But fair play: the results are incredible.
Bring on the next Cape storm and look out for me lying on Sea Point Prom.
High School is no party, hey?
Today, I’ve been helping the boy with his homework.
I have learned about Teutonic family relationships with specific reference to the inter-generational understanding of the Holocaust, I have assisted with the conjugation of several (or more) French verbs, and aided him with describing the differences between natural and synthetic structures, including the specific roles of frames, solids and shells.
We did some stuff on levers as well. Types 1, 2 and 3.
And it’s not even lunchtime yet.
Oh – and then we both worked out how to apply an unsharp mask in Adobe Photoshop to make a photo of the beagle look like this*:
Because yes. If you’re doing a High School photography extra-mural, you get homework for that, too.
* A bit overdone for my liking, if I’m honest, but that was the brief.