In the chair behind me, a client was having an earnest discussion with his barber as to which musical act was the better:
Local sax-based, electro-house-jazz duo, Goldfish:
…or Paul McCartney.
You might not have heard of Paul: he was mildly successful 50-odd years ago with some other guys.
But despite that historical fame, if we’re going to base success on, say, the number of times the act in question has played at the Kirstenbosch Summer Sunset Concert series, then it’s Goldfish that clearly come out on top.
At least that’s what Mr Haircut was trying to tell us.
Next week, I go to a garden centre to try work out which writer is better: veteran 16th century playwright William Shakespeare, or E.L. James, who gave us the 50 Shades… series.
I’ll probably be looking at how many times they have each done interviews on American late night TV talk shows as my deciding criterion.
As I start writing this, I realise that it’s my first post with WordPress 5.0. As usual with a WordPress update, I chose not to read any of the instructions – something that has never mattered before – and now I find myself quite (or more) bemused by the whole situation. My God, it’s horrible. How do I go back?
I clicked through on one of those review of the year things. This one was for Spotify, which I’ve only had for about 5 months. Here’s my Top Artists, Genre, Songs etc.
That image might not look like much, but it took me 35 minutes to upload, so damn well look at it, even though it’s probably still far too big.
The several hours I spent solely on Ludovico Einaudi equate nicely with my air travel. His music has always been my goto on iPod or Spotify for calming, relaxing times on big planes.
Look at me with my lack of mainstream nonsense. And it’s not for want of being contrary. I like what I listen to. And I listen to what I like.
Right. You can do your Spotify Wrapped here. And I’d love to write some more about it, but this editor is wearing me down already. It’s fecking awful and I want to go back to 4.9. I have no idea how to add categories or tags and they’re supposed to making it easier, better, more intuitive.
I’ve loved listening to this wonderfully fragile, simple offering from Thom Yorke for the past few weeks, now. (Yes, it’s on this Spotify playlist.) So I was obviously delighted to find this live performance for 6Music on Youtube.
I know not all my readers enjoy my musical posts (although, reasonably, how could you not love this piece?), but I do have clear evidence that there are others who do enjoy a break from the endless words on here (including me), and thus they are here to stay.
Tomorrow’s post is about music, but isn’t actually music, which will probably suitably alienate both parties.
The 90s were definitely my favourite decade. And – quite by chance – they remain my favourite bath temperature. But that’s not important right now.
What is important is that you use the link above, position your cursor on the tab with the words:
and David Hasselhoff’s face on it, at which point the question mark will change to an exclamation mark, and left click.
At this point you will be served a music video from the 1990s.
I got some 2Unlimited, some Prodigy, some Take That, some Aqua (no, not that one), some Chemical Brothers and a bit of Mr Oizo. And loads, loads more.
And while you’re enduring enjoying the tunes, you can watch three animated gifs of MC Hammer dancing in unison at the bottom of your screen. And no matter the tune, they’re always in time with it. Incredible.
You can’t. Touch. This.
I’m wholly expecting the same team to make versions of this for the 2000s, the 1980s and the 1960s. There’s obviously nothing worth playing from the 1970s, so they can save time and money by simply not bothering with that decade at all. #Efficiency
A couple of songs which have recently appeared on my metaprical musical radar, and which will therefore obviously be shared on the blog.
While there are a lot of famous 80s songs, I don’t think that these are/were amongst them. They’re not ones that you will hear at 80s-themed disco parties, although if you were looking for a archetypal early 80s analogue synth piece, this first one really does tick all the boxes. And (like Alphaville) the lyrics for John Foxx’s Underpass are… well… “basic”:
And if that was a bit fast and loud for you, please now relax with This Mortal Coil’s version of Song To The Siren from 1984:
Wow. How beautiful is that?
Music posts on 6000 miles… don’t get as many hits as some of the other stuff I write about on here: perhaps because musical tastes are such a personal thing. Or perhaps because my musical tastes can be a bit odd. But I know that there is a hardcore set of readers who do like to give the stuff I share a spin.
Why not join them? You might just find something you like. And – if you want to delve a little more deeply – both these tracks make it onto my inspired by 6 Spotify playlist.