Inspired by 6

I may have mentioned these things before, but not together, and even if I have, it deserves repeating.

First thing: I listen to BBC 6 Music at lot. I’m right in their target demographic, so they suit me and I suit them. Symbiotic, innit?

Second thing: I’m (still) really enjoying Spotify. I love having the flexibility to think of a song and just listen to it, there and then. I recognise that this has been something that’s been around elsewhere (and even here) for a while. But because Spotify is new here it still feels a bit like living in the future.

Now, I have tied these two things together in a wonderful marriage by starting a public playlist called “inspired by 6”.

What I do is to listen to BBC 6 Music all day and each time they play an amazing song (rather than just a really good song), I quickly add it to the playlist. Therefore, what’s currently on there is a collection of more than eighty songs which are the best of what’s available on the best radio station around.

All according to me, at least.

Great for solo listening, background listening or appearing cool (to that certain demographic) at a party.

If you are on Spotify, you can listen and follow the constantly-evolving playlist by clicking the clever little box above or here. You’ll need to be a member of Spotify too, obviously, but I’m told that there’s more than just me on there, so maybe it’s for you too.


80s music flashback

A couple of songs which have recently appeared on my metaprical musical radar, and which will therefore obviously be shared on the blog.

While there are a lot of famous 80s songs, I don’t think that these are/were amongst them. They’re not ones that you will hear at 80s-themed disco parties, although if you were looking for a archetypal early 80s analogue synth piece, this first one really does tick all the boxes. And (like Alphaville) the lyrics for John Foxx’s Underpass are… well… “basic”:

Click-click drone
Click-click drone
Click-click drone
Click-click drone


And if that was a bit fast and loud for you, please now relax with This Mortal Coil’s version of Song To The Siren from 1984:

Wow. How beautiful is that?

Music posts on 6000 miles… don’t get as many hits as some of the other stuff I write about on here: perhaps because musical tastes are such a personal thing. Or perhaps because my musical tastes can be a bit odd. But I know that there is a hardcore set of readers who do like to give the stuff I share a spin.

Why not join them? You might just find something you like. And – if you want to delve a little more deeply – both these tracks make it onto my inspired by 6 Spotify playlist.


A lovely interview and live set from American singy man Conor Oberst on BBC 6 Music this afternoon. He comes across as chilled, genuine, thoughtful and accessible. And not anywhere near as weird as a lot of American singy men.

Herewith one of the songs he played: Barbary Coast (Later):

Beautiful. I’m not usually a huge fan of anything with a harmonica in it, but this is almost Bob Dylan-esque in its emotion.

Very nice.


This won’t be for everyone (warning: occasional naughty language), but if you find that it’s for you, then well done: you have great taste in music and social commentary. I say that, because obviously, I have great taste in music and social commentary and I just cannot get enough of this track (pun intended) from Nottingham-based band Sleaford Mods.

‘TCR’ stands for “Total Control Racing” and is named after a Scalextric-style toy racing car game popular in the 1980s. Talking about the song, vocalist Jason Williamson said: “The idea behind the ‘TCR’ video was to show and use the actual 1980s toy racing kit in its original environment, which would have most probably been the living room floor for most kids at that time.”

And yes, that’s exactly where my brother and I used to play it, although our carpet was a nasty brown, not a nasty patterned affair.

Also, we had a lorry version with a white articulated truck and a shiny golden oil tanker. But the memories are still there. And the meaning behind the lyrics ring true as well. Sadly.

I thought it married perfectly to the idea of life’s (at times) rotating dross. The narration/vocal over the song is just that, an account of a bloke reacting to what he feels is a routine-laden existence by ‘escaping’ for the night to the pub, only to realise this is also a limited experience, and in turn all options kind of merge into a circular experience of never ending repetition that he tries to navigate.

Having finally given up on 5fm (sorry, Rob), I’m enjoying all the airplay that this is getting on BBC 6 Music, which is being streamed into the lab from the UK on a daily basis now.

My list of other good music to catch up on is growing by the day as well. I’ve missed out on a lot thanks to Hlaudi’s stupid policies.

But that’s another post for another day.