Pseuds Corner is a regular feature in Private Eye magazine, described as:
Listing pretentious, pseudo-intellectual quotations from the media.
Events online yesterday led me meanderingly to these paragraphs, which would fit right in:
Through our own individual and collective identities as artists, critics and curators, we situate ourselves as both outside and inside the art world, and it is from this position that we choose to comment on structures within the artworld as well as navigating broader frameworks, such as identity, history and locality.
Our work has thus developed into a form of critical practice, a kind of site-specific ‘rugged conceptualism’, which almost always engages with the parameters of the event we find ourselves a part of.
In a tongue in cheek way we explore our own complicity in the art and socio-political spectra, as well as the often-hidden mechanisms involved in constructing meaning, identity and history, seeking always a balance between the politically engaged and the seriously playful.
Yes folks! It’s arty-farty bullshit!
Quite how this sort of thing (see also the second part of this post) can draw any kind of funding while so many people in this country are still hungry and homeless is completely beyond me.